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Tomorrow, Tomorrow...

Posted on Jan 10th, 2008 by Brondu : Human Brondu
So, I'm in a bit of a transition phase.  I'm looking for a job in a foreign land.  I'm hoping to move somewhere crazy but may just settle for somewhere new in Canada.  I really just want to do something mundane somewhere where it won't seem so mundane.  Can you think of anything?
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Kim, ya?

Posted on Jan 11th, 2008 by Brondu : Human Brondu
Anyone out there listening to Kimya Dawson?  I've been listening to her ever/since/before Juno.  My favorite song of hers, for now, is The Beer.  I've also been listening to the soundtrack from Once and am not shy about proclaiming a newfound love for all things Postal Service, Placebo, Muse, Glen Hansard (even the Band of Horses)...  What does it all mean?

Fox Searchlight Studios are simply the best?
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what's 'It All' about?

Posted on Jan 11th, 2008 by Brondu : Human Brondu
I have as much appreciation for a job well done as the next person.)

This is not true.  I can't even begin to appreciate a job well done as much as the next person seems to.  The next person is all about a job well done.  The next person relaxes only after the job is done, well.  The next person mini-creams their jeans when they do a job, get it well done.  The next person will busy themselves, for minutes past the point of pay, in the interest of a job well done.  The next person stands back and leans against their kitchen wall and goes, 'Yeah.'

So what the fuck is up with the next person?!
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Why Write

Posted on Jan 11th, 2008 by Brondu : Human Brondu
You know the story of the guy, the Zenster, who chops wood and hauls water for a large part of his life, then goes on a mad search for the deeper meaning of it all, and after he becomes enlightened goes back to chopping wood?  Maybe it's a bit like that for a writer.  You write stories for a while, then you go on a mad search for the deeper meaning of it all, you write stories with deep obfuscated and codified social commentaries, you critizise (pluckily or polemically) the norms and unquestioned memes of the humanness of your era, and then something clicks and you relax and you go back to writing stories.  You've still got a bit to say on the meaning of it all, but your focus is back on laying your ethos, as unfiltered as you've been allowed to filter it, at the feet of the people; you share and share alike.  Your enterprise is to delight first, instruct second.  You accept this as crow accepts its pattern of pecking grain, you humble yourself daily in the face of your gift, you thank the God you've found there are others who recognize this struggle of diamondness and rough, you cry when you receive and you cry when you give, and you take your place on Earth, even as we are all seated on God's right hand; always.
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A Serious Question

Posted on Jan 15th, 2008 by Brondu : Human Brondu
A General Sort of Treatise


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What is 'I'?

Posted on Jan 15th, 2008 by Brondu : Human Brondu
Seperate Self

Couple things slipped out of my mouth in this latenight rant that I categorically do not agree with.  If you get that reaction, that, 'Oops, I bet he didn't mean to say that', reaction, you're probably right.  I was drunk-tired.  Let's clear it all up in the comments section, shall we?

You'll also notice, if you watched A Serious Question, that at the beginning of the video, because they are recorded one after another, I am attempting to veer from imitating the language I frequently used in the previous video.  This evens out towards the mid.  Enjoy!
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The Great Drivers-Licenceless Dishwashing Experiment

Posted on Jan 16th, 2008 by Brondu : Human Brondu

So, I am going to Canmore tomorrow.  I've got a job as a dishwasher.  I've got a house in the staff accomodations for the dishwashing place.  I'm going to be a dishwasher indefinitely, forever!

Love,
Brian David

Ps:  if the staff accomodations are out of walking range to the workplace, I'll see you tomorrow... if all is well, I'll be blogging as soon as I can!

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Canmore / Dishwasing / Brian David Needs Sponsorship

Posted on Jan 23rd, 2008 by Brondu : Human Brondu
(Author's Note:  This piece was done in a large house filled with non-English speaking deli employees.  I snatched concentration from heretofore unprecedented mind-locations.  If it reads frazzled, perhaps it ought.  

Secondly, the Great Drivers-Licenceless Dishwashing Experiment is a failure.  These diaristic entries, all two of them, will provide all the details you need to know.

Love,
Brian David, 08)

----

Bleached dreamcatchers glide fitfully to restless dooms; mute collision.  Mountains reveals themselves through fog, wind and snow, as the eye of a surfaced whale.  Snow on roofs like habit.  A purified container.

 

"The onus is on us, to cauterize the pus, which bustles from our bum, when we've been drinking rum."  These are the first words I long (feverishly?) to hear from my new boss's mouth.  Instead he, Harry is is name, says, "Oh, you're here."  Something in his wending, veiny nose which keens unprettily for solitude and obliteration.  He will look down that mountain of yellowblue, at me.

 

It's not long before Harry is showing me the house I'll be staying in for a few days.  It reminds me of Bible camp.  There are big rooms with multiple beds in each room and furniture culled from Mrs. Keep-It-Til-It's-Junk's Garage Sale of Total Absolution.  At this sale, there also was sold a cardboard box filled with fluorescent leotards, a complete set of crumbling children's books, their relevance strayed into a storm for a pint of Guiness and never returned.  Looking back, Mrs. Keep-It-Til-It's-Junk should have filed for divorce.  Mr. Berate-Her-Cause-It's-Trash was by far the wrong choice.

 

I settle myself, wait, decide to drink three beer to lube introductions with my seven other housemates.  Because my room is empty it's easy for me to slip into the succulent patterns of aloneness.  Music and dance.  I check the corners of the room to see if anyone is spying on me.  I'm convinced, briefly, that They've lowered a camera into the room and are giggling to vomit-point at my antics.  When I notice the camera, I smile into it.

 

I want to go out tonight and I assume the local bar, Hooligans, will be comfortably rife with fleshed insecurities, quiet n' nervous targets for my sidle-up move.  (I will go to the club, it will be curiously empty, and I will feel sick.)

 

Meeting my roommates is fun.  We are quick to assure one another: I swear, I drink, I smoke, and I'm comfortable with other people smoking weed.  

 

It seems an internal barometer will clang religiously if the word fuck is not thrown out at least once every four or eight seconds.  A conversation might go,

 

"Fuck."

 

"Fuck."

 

"Fuck."

 

The desolate all-purpose talisman is hurled with dull vehemence over an abyss of social tension.  But where are my fucking manners?  Everyone I've met (so far) is really nice.  The hummed mantra, deftly undertone, seems to be: I no want no trouble.  And then: I want to meet a complimentary me, and we'll hang out together.

 

As I sit on the couch, swearing with profound frequency, subtly accepting a behavioral shawl of nonviolence and liberal accommodation, I notice there is almost nothing I can say, no fresh obscenity or plumed pretension, that would evict anything besides the thrumming par, "Oh fuck."  

 

There is an atmosphere of deferred everything- responsibility, aesthetic clue, marital push, value code- in favor of regimented relaxation.  This life, which is so often referred to as real life, that poignantly non-valuable monicker, replete and fetid with ambiguity and exclusion of so many worthy nervous systems, resembles more a hiatus from life than life itself.

 

The Bigness here is Smallness.  Smartness is Dumbness.  God is Godlessness.  I am becoming sediment.  "Oh fuck."

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Brondu's Summary of Postmodernism (68-85)

Posted on Jan 24th, 2008 by Brondu : Human Brondu
For years pre-disambiguated signifiers seeped their caressive taint into the experiential capitulations and collective prehensions (and pretensions) of modern minds. Constructions wrapped themselves in perceptual garb and thus avoided their beautiful oblivion. Mimesis paraded the literary streets by hijacking phenomenologies who [sic] subsequently belched correlates to an allegedly ‘contained’ rhythm of interactivity between original and copy. Context’s days of inveigling prone creators into sycophancy were high and glorious. Language thought of Itself as a window into a pregiven world before it started licking its crotch and imagining what a silly thing it is to lick your crotch. Nobody suspected a thing. Then (not really) all of a sudden this labyrinthinically spawned thing called meaning became almost metaphysically proven to be functional of, as opposed to eminent within, an ‘author’.  Important work ensued. Synchronic structuralism yielded into the cantering brazier of diachronic post-structuralism no sooner then signifiers were discovered to be equally uselessly context-bound, in a nauseatingly obtuse ‘web’ of supernally cascading contexts, as the relationships between signs. And forget the adequacy of empathetic participation to accrue appreciation for newly relativized signifieds, because, well that joke would be on you.
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